Composition
Every composition begins with a musical idea that deserves its own voice. Whether inspired by a performer, an ensemble, a poem, a historical subject or a special occasion, I aim to create music that is both expressive and rewarding to perform. As an active musician, teacher and researcher, I write from practical experience. My music is intended not only to be heard, but also to be enjoyed by those who perform it.
Commissions
I welcome commissions for a wide variety of occasions and performers, including:
- Solo instrumental works
- Chamber music and ensemble pieces
- Choral and vocal music
- Piano music
- Educational repertoire for children and students
- Carillon music
- Chazzanuth (Jewish liturgical music) based on Hebrew texts
Each composition is written in close consultation with the commissioner, taking into account the musicians, the occasion and the desired musical character.
Musical language
My musical language is rooted in melody, modality and clarity of form. Rather than pursuing complexity for its own sake, I strive to compose music that communicates directly with performers and audiences alike.
Inspiration often comes from subjects beyond music itself, such as literature, visual art, history or cultural traditions. Depending on the project, the music may be lyrical, contemplative, festive or narrative in character.
I enjoy composing for musicians of all ages and abilities. Whether writing educational repertoire for beginners or concert works for advanced performers, I believe that music should always be artistically meaningful while remaining idiomatic and enjoyable to play.
If you are considering a new composition, I would be delighted to discuss your ideas and create a work especially for you or your ensemble.
My work is informed not only by compositional practice, but also by artistic research into musical form, historical repertoire and performance practice. These perspectives often find their way into new compositions, creating a dialogue between tradition and contemporary expression.